SORCHE FAIRBANK
Since establishing Fairbank Literary Representation in 2002, Sorche Elizabeth Fairbank has had the pleasure of working with a dynamic and varied client list, representing bestselling authors, award-winning journalists, artists, and illustrators, television and YouTube stars, and of course one of her favorite kinds of client—the debut author. Her authors are found with all the major publishers, as well as in the New York Times, Washington Post, Los Angeles Times, Boston Globe, the New Yorker, Guernica, Granta, Glimmer Train, the Best American series, Pushcart Prize, Smithsonian, McSweeney’s, Narrative, One Story, and many more.
Sorche’s tastes in novels tend toward literary fiction, international voices, and voice-y novels with a strong sense of place. On the nonfiction side, books that tackle current events and topical and societal issues with a narrative treatment. She has a strong interest in women’s voices and class and race issues, quality lifestyle books (food, craft, design), and the rare memoir, providing it goes beyond the “memoir.” Sorche reps a few wildly successful children’s books and is eager for more submissions from illustrator authors only. She is one of the leading agents of humor, pop culture, and gift books. She and her co-agents work closely to maximize clients’ ancillary rights, including film and television, merchandising, and translation rights.
In 2022 Sorche got a taste of the author experience, publishing her debut picture book (Trucks on Trucks) with Harper Collins, with a second book coming in 2025. Truly every agent should experience the publishing process from the author's perspective, for better and worse.
SESSION: Query Lab: Live Feedback on Query Letters
Most agencies receive at least a hundred query letters each week, yet respond positively to a very select few. Do you know the secrets to writing a winning query? Do you want to know the most common reasons for rejection? In this session, one or more agents will give direct feedback on audience query letters and use them as examples to discuss both effective and ineffective strategies for getting an agent or editor interested in your work. The goal will be to make your query letters as powerful as possible. If you want your query letter considered, please bring a ONE-PAGE electronic version to the session. Query letters will be chosen at random by a volunteer and put up on-screen. After your query letter is read by the agents and the audience, the agent(s) will discuss it, troubleshoot, and offer advice that is both specific to your project and general enough for the rest of the audience to benefit. Given the volume of submissions, we cannot guarantee that your query letter will be read. The point is not to get through as many queries as possible, but to thoughtfully evaluate your ideas and offer concrete suggestions from which all will benefit.